24-70 2.8 lens
ISO 100
shutter speed 1/1600
fstop 4.5
Ok, so I am going to reveal some of my inner geek by sharing with y'all about how I "see" a photo when I take it. These are not secrets, but more of a behind the scenes look at what goes on in my mind's eye in that split second when I am composing a photo.
Prepare for a long'ish post. I have a plethora of words to describe what happens in seconds of thought...
So, most of the time I am behind my lens I am thirsty for capturing photos that evoke movement and story. I love love love it when the viewer can continue to imagine and complete the movement and story of the moment as they stare at a photo. For me, these kinds of photos carry more emotional weight than those that are artfully posed because they carry a feeling of real life that contrived ones cannot. I gravitate towards these kinds of photos and so I search for movement and story in my own work.
I love to capture photos that have depth from front to back, rather than a simple left to right dimension. I like a beginning, middle, and end...almost like you can visually travel through it. Knowing how light works helps to achieve this because light adds dimension. I actually do not like a bland over cast day because photos seem flat and one dimensional to me. When a photo has all of that good stuff going on then then I smile.
I also search for photos that have a simplicity to them such as a single element, focal point, or color scheme. I am a simple person and visual clutter has always created anxiety in me. I seek peace in my photos. Sometimes if there is too much going on I put it all in black and white to unify it all. And then sometimes, I am okay with the clutter if it is part of the story. But most often, I am seeking order.
When I am composing, I instinctively deconstruct a scene into basic visual shapes. Actually this is not something I really put much thought into when I am behind the lens, it just is part of how I see the world, so therefore I am doing it when I am composing. As a result, I am drawn to filling my frame with large shapes and the shapes have to have balance within the frame. They do not need to be symmetrical, they just need to be balanced.
So, am I a geek or what?
Yes, I am. And when all of the above comes together, then I am full of geeky glee.
You might guess then that the technical part of photography has, and continues to be, a chore to me because it is not an instinctual process for me. (This is why I probably suck at math. People who say math is instinctual are from another planet.) I have learned to tackle and practice the technical aspects of photography because they are like driving a stick shift: you gotta know the dance between the clutch pedal, gas pedal, and gear stick if you want to make your car hum at optimal performance. When I finally learned to drive my roommate's stick shift back in college, I found that it became like second nature. It has been the same with learning the technical portion of photography: I am still learning but it is slowly becoming instinctual.
I share this not as a lesson in how to take better photographs. I share this as an insight into what excites me when I take photographs, when I create. Everyone is wired differently and it really is a waste of creative energy to try and be something that you are not.
The more you practice your art, the more your creative eye and process will reveal itself to you. And the more you embrace that process, the more improvement you will see in your own work. You will be happier too.
In case you are visual, like me, here is the geek breakdown of the photo above.
(movement, story, simplicity, depth, shapes, and balance)
Hope this encourages you to find your inner creative geek and embrace him or her. It's the only way you will truly discover that you are unique.
A unique geek. :) See, they rhyme. Must be something good.
3 comments:
I really really love this little series you are doing. So fun to see how you "see" a photo and so fun to see the similarities AND differences in what I do. I am totally a geek. I haven't taken a photo in three days (shocker, I know) but I am seeing photos in front of me constantly and always aching to pick up my camera to capture the story I see.
I hate overcast days for phots. Bleh. Give me full sun any day. And backlight. I'm kindof obsessed with backlight lately.
And I LOVE stick shifts. Miss mine so much.
I really enjoyed this post, Tracey. It's fascinating to hear and see how your mind works when composing and shooting. I found myself saying, "Huh. Yeah, I get it." a lot while reading. Thanks for this!
Love the last two posts. It's fun to see how other photographers visualize a picture in their head. As a beginning photographer, I learned so much from just this post alone! Thank you for sharing!
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